By Gayle Tzemach Lemmon
From the writer of the recent York instances bestseller The clothier of Khair Khana comes the poignant and gripping tale of a groundbreaking group of girl American warriors who served along particular Operations squaddies at the battlefield in Afghanistan—including Ashley White, a loved soldier who died serving her country’s cause.
In 2010, the U.S. military distinctive Operations Command created Cultural aid groups, a pilot software to place ladies at the battlefield along eco-friendly Berets and military Rangers on delicate missions in Afghanistan. the assumption used to be that ladies may well entry areas and folks that had remained out of achieve, and will construct relationships—woman to woman—in ways in which male infantrymen in a conservative, conventional nation couldn't. even though formally banned from strive against, lady infantrymen might be “attached” to assorted groups, and for the 1st time, ladies during the military heard the decision to attempt out for this designated ops program.
In Ashley’s battle, Gayle Tzemach Lemmon makes use of exhaustive firsthand reporting and a finely tuned realizing of the complexities of conflict to inform the tale of CST-2, a unit of ladies hand-picked from around the military, and the awesome hero at its center: 1st Lt. Ashley White, who may turn into the 1st Cultural help group member killed in motion and the 1st CST remembered at the military exact Operations Memorial Wall of Honor along the military Rangers with whom she served.
Transporting readers into this little-known global of fierce ladies sure jointly via valor, threat, and the will to serve, Ashley’s battle is a riveting strive against narrative and a testomony to the unbreakable bonds born of war.
Gayle Tzemach Lemmon is a Senior Fellow on the Council on overseas family and a contributor to The Atlantic’s protection One. She is the bestselling writer of The fashion designer of Khair Khana and writes on a regular basis for top media shops. A Fulbright pupil and Robert Bosch Fellow, she begun reporting from clash areas in the course of MBA examine on the Harvard enterprise institution following approximately a decade overlaying politics at ABC information.
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Extra resources for Ashley's War: The Untold Story of a Team of Women Soldiers on the Special Ops Battlefield
He is depicted as he would have appeared on joining the new force - a man of 38 years in the undress uniform of the 7th (Queen's Own) Light Dragoon Hussars. Note his badge of rank, (a crown above a four-bar chevron), his pouch-belt and his 'swagger' whip. To the rear is a trooper of the ill-fated Mounted Staff Corps in 1855 (82). Swaddled in as much warm clothing as he can find, only his battered helmet - minus its plume - reminds the onlooker of his corps and function. His mount is portrayed in the typical condition captured by photographers of the Crimean campaign.
The corporal is armed with the 1796-pattern light cavalry sword, a pair of pistols in the holsters on his saddle-arch, and a 1796-pattern carbine. His mount's saddle and bridle are of the light cavalry pattern, with the saddle covered by a sheepskin. His cloak, folded and strapped above his holsters, gives the saddle a bulky appearance. His valise is strapped behind his saddle, and attached to it is a coil of rope and a cat-o'-nine-tails, two items essential to his duties. Maj. Thomas Trout of the 7th Hussars (81) reported for duty at Aldershot with the newlyraised Corps of Mounted Police.
Smith and Wesson pistol. By this time battledress was worn with a tie. 'Jungle green' replaced khaki drill in some tropical stations during the Second Wortd War. By the 1950s and 1960s it was the standard uniform in Malaya, as demonstrated by J2, a sergeant of the RMP. He wears shorts with corps-pattern hosetops and garter flashes. Note his badges of rank, the formation signs of Malaya Command, 'RMP' shoulder titles and medal ribbons indicating service in Palestine and Korea. 38 in. No. 2 pistol.
Ashley's War: The Untold Story of a Team of Women Soldiers on the Special Ops Battlefield by Gayle Tzemach Lemmon