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Download e-book for kindle: An Introduction to Philosophy through Literature by Robert C. Baldwin, James A. McPeek

By Robert C. Baldwin, James A. McPeek

ISBN-10: 0826006507

ISBN-13: 9780826006509

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Extra info for An Introduction to Philosophy through Literature

Sample text

However, it is clear that he did not, since Bartok's strict adherence to his subject, the logical relationship he preserves among successive entries, and the palindromic structure he creates are nowhere to be found in this movement. Instead, Freedman composes a subject that appears in a number of different guises, related only by common opening material and a shared inventory of motives. The succession of entries does not follow a logical intervallic progression, as is the case in Bartok's fugue; in fact Freedman's subject usually appears at its original pitch level.

Measures 3 to 4 and 6 to 7 are straddled by 'a(R)' at t=ll. The fifth through seventh measures of the first violin part 36 The Music of Harry Freedman Example 3-7: Images, Movement I, Rehearsal 1+1 to 1+9 are a compressed rendition of measures 1 to 4 (with measure 2 omitted), and the eighth measure is an intervallically expanded version of the first, 'a(P)1/ The second violin imitates the opening motive of the first violin in retrograde at t=l, followed in the next measure by motive 'b/ also in retrograde at t=l.

He also exhibited a growing ability to capture in music the dramatic and emotional content of text. 48 The Music of Harry Freedman In the years up to I960, Freedman produced an average of only one or two compositions a year, but his interest in composition continued to grow. During the 1960s, his average rose to two or three compositions per year. His need for more time to pursue his interest reached crisis proportions toward the end of the decade, at which time he finally made the difficult decision to resign his symphony post and devote himself full-time to composing.

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An Introduction to Philosophy through Literature by Robert C. Baldwin, James A. McPeek


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