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Download e-book for kindle: Ableton Reference Manual Version 8 by Dennis DeSantis, Ian Gallagher, Kevin Haywood, Rose Knudsen,

By Dennis DeSantis, Ian Gallagher, Kevin Haywood, Rose Knudsen, Gerhard Behles, Jakob Rang, Robert Henke, Torsten Slama

The Ableton reference handbook that incorporates the Ableton Suite eight software program.

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Unless you've speci ed a special window size or aspect ratio in the encoder settings, the rendered video le will play back exactly as it appeared during real time playback in Live. The video le will also contain the rendered audio. CHAPTER 5. MANAGING FILES AND SETS 50 For more information about working with video in Live, see the chapter on video. 3 MIDI Files A MIDI le contains commands that prompt MIDI compatible synthesizers or instruments, such as Live's Simpler, to create speci c musical output.

When adding a long sample to a project, Live might tell you that it cannot play the sample before it has been analyzed. , Live nds an analysis le for this sample), or if the Record/Warp/Launch Preferences' Auto-Warp Long Samples preference has been deactivated. To prevent waiting for analysis of longer samples, you can pre-analyze them via the Browser, as we will see in a moment. An analysis le can also store default clip settings for the sample: Clicking the Clip View's Save button will store the current clip's settings with the sample's analysis le.

CHAPTER 5. 2 60 Projects and Presets By default, new instrument and effect presets are stored in the Live Library, making them available to any project. At times however, it may make more sense to save a preset with the current Project. You might, for example, want to keep a number of alternative master EQ settings for a given piece. These EQ presets are speci c to the piece and of little use to other Projects. For this reason, every device in the Device Browser has a Current Project sub-folder.

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Ableton Reference Manual Version 8 by Dennis DeSantis, Ian Gallagher, Kevin Haywood, Rose Knudsen, Gerhard Behles, Jakob Rang, Robert Henke, Torsten Slama


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