By Marcus Ritland
Marcus Ritland is a fashion designer and 3D printing advisor at his small enterprise, Denali 3D layout. on account that 2008, he has used SketchUp for architectural rendering providers, studying it and supporting others good sufficient to be selected as "Top SketchUcator" of the SketchUcation boards. After studying approximately 3D printing via a web contest, he included it into his company, promoting 3D-printed items on-line and supporting different small company vendors leverage the technology.
He has additionally volunteered at a neighborhood makerspace, educating SketchUp periods and best 3D-printing meetups. he's at present on a quest to dispose of design-for-3Dprinting illiteracy. whilst he's now not push-pulling a version into form, he are available taking pictures photographs and having fun with nature.
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Publication Date: January five, 2013
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Additional resources for 3D Printing With Sketchup
Publicity still in a costume from The Asphalt Jungle. Publicity still for the film Hometown Story, 1951. Besides her films, an almost endless number of pinup photographs for publicity purposes were taken of Marilyn. They built on her image as a glamour girl. The accessories were always the same: high-heeled shoes, T-shirts or bathing suits, and, in this case, even a potato sack. These are two publicity stills from about 1952. Marilyn’s hairstyle in 1952 is youthful and modern. She plays with Barbara Stanwyck in Fritz Lang’s Clash by Night.
Marilyn in a negligee, eyes closed, in her apartment in a suburb of Los Angeles, 1952. Philippe Halsman, traveling for Life at the time, remarked on the furnishings: “What impressed me in its shabby living room was the obvious striving for self-improvement of the alleged dumb blonde. ’ I asked. `Yes,’ she replied. ”‘ Photograph by Philippe Halsman, 1952. Photograph by Philippe Halsman, 1952, on the same occasion. Halsman: “Later, between two interminable dress changes, she appeared in a semitransparent negligee and I complimented her for not needing a bra.
Photograph by Ed Clark for Life. After her small roles in The Asphalt Jungle and All About Etc. the press begins to celebrate Marilyn’s erotic aura. Publicity still in a costume from The Asphalt Jungle. Publicity still for the film Hometown Story, 1951. Besides her films, an almost endless number of pinup photographs for publicity purposes were taken of Marilyn. They built on her image as a glamour girl. The accessories were always the same: high-heeled shoes, T-shirts or bathing suits, and, in this case, even a potato sack.
3D Printing With Sketchup by Marcus Ritland